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[PCMSV022 12"] Remixes III

by Various Artists

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  • Record/Vinyl + Digital Album

    Full art double vinyl LP with brown inner sleeves.

    Shipping: United Kingdom distribution. Very limited United States distribution also available until we run out (media mail + freight charges from the UK).

    Vinyl track order:
    A1. K-Chaos - Off Topic (Asymmetric Remix)
    B1. Metro - Box (Jegbee Remix)
    B2. Nic TVG - California (Metro Remix)
    C1. Nic TVG - Putting a Glass Away (dgoHn Remix)
    D1. DYL - The New Kid (Booca Refix)
    D2. Fr.om - Seed Coat (Dr...um Remix)

    Includes unlimited streaming of [PCMSV022 12"] Remixes III via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $20 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $9 USD  or more

     

  • Full Digital Discography

    Purchasable with gift card

      $150.28 USD or more (65% OFF)

     

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about

[PCMS 2021.1]
Remixes III features Drum and Bass tracks from the last five years of Pinecone Moonshine. Consistent use of inharmonic ambient sounds mix with echoes of jazz and funk setting the backdrop for broken breakbeats.

The LP opens with Asymmetric’s Remix of “Off Topic” by K-Chaos. Drumfunk style break work and warm bass notes roll out over a warbling lead trumpet and inharmonic ambient sounds. Jegbee rebuilds Metro’s minimal track “Box” as a Techstep roller keeping with the original heavy kick drums as the main rhythm.

A motif of surf music introduces Metro’s remix of Nic TVG’s “California”. Metro slices the original into a splintered, fractured assemblage of sounds.

dgoHn compliments the lo-fi recordings of “Putting a Glass Away'' with new melodies and harmonies. As if looking hopeful to the future, the added layers calm the hectic 200 bpm pace of the swirling drums.
Booca plunges into the dense layers of inharmonic sounds of DYL’s “The New Kid”. The off-kilter, periodic waves of snare drums are carried by the rhythm of the bassline melody.

The progression of Dr...um’s remix of “Seed Coat” by Fr.om can be likened to driving by buildings late at night. By introducing moments of space, “Seed Coat” transforms into an introspective, almost ambient Jungle track.

The “I’m Strange” remix by K-Chaos with low piano notes, grinding metal sounds, and a drum machine turned to thrash mode builds a nightmarish jazz band.

The Quiet Version of “We Ended Up Somewhere” by DYL and Nic TVG was the first take of the Jungle-inspired version that saw release in 2018 on Skutta Records. This version is minimal with sparse drum samples and emphasis on drones and a palette of sound effects.

credits

released June 4, 2021

Digital masters by Macc.
Vinyl mastering by Beau at Ten Eight Seven.
Artwork by Scratch and Line.
"We Ended up Somewhere" originally released on Skutta Records: skuttarecords.bandcamp.com/album/the-apparition-ep.

Additional releases by Asymmetric: pineconemoonshine.neocities.org/artists/asymmetric.html.
Additional releases by Booca: pineconemoonshine.neocities.org/artists/booca.html.
Additional releases by dgoHn: pineconemoonshine.neocities.org/artists/dgohn.html.
Additional releases by Dr...um: pineconemoonshine.neocities.org/artists/dr...um.html.
Additional releases by DYL: pineconemoonshine.neocities.org/artists/dyl.html.
Additional releases by Fr.om: pineconemoonshine.neocities.org/artists/fr.om.html.
Additional releases by Jegbee: pineconemoonshine.neocities.org/artists/jegbee.html.
Additional releases by K-Chaos: pineconemoonshine.neocities.org/artists/k-chaos.html.
Additional releases by Metro: pineconemoonshine.neocities.org/artists/metro.html.
Additional releases by Nic TVG: pineconemoonshine.neocities.org/artists/nic%20tvg.html.

license

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tags

about

Pinecone Moonshine Portland, Oregon

Run by Nic TVG, Pinecone Moonshine is a collection of Drumfunk (drum and bass) and other abstract and ambient music.

See the neocities link below for the demo policy.

Majority of the tracks are melancholy collages of noise, heavily processed samples, and atmospherics driven by broken break beats and heavy sub. Free jazz, early electronics, blues, and funk are noticeable influences.
... more

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