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[PCMSV021 12"] Underground Rave Hits for a Shuttered Club

by Relapse



Vinyl track order:
[A1] Burden and Greef - Oh God Part I
[A2] Relapse - Two Worlds Colliding...
[A3] Relapse - Cognitive Dissonance
[A4] Relapse - Curse, or a Swan Is a Two Person Duck
[B1] D n G - Gross 1 2
[B2] D n G - Gross 2 1
[B3] Burden and Relapse - Hitroll Beat Heart Pt I + !!
[B4] Relapse - Generic Excuse

PCMS 2020.2

The first notes of Relapse’s “Underground Rave Hits for a Shuttered Club” are obscured with abrasive noise. For this Pinecone Moonshine album, the Bristol based musician known for drum and bass drew from many influences. Melodies and harmonies suggest ideas from extreme metal, blues, folk, and unique medieval, ritual notations. The album ranges from slower tempos like the funky 100 bpm “Curse, or a Swan” up to the 200 bpm breakcore “Hitroll Beat Heart.”

Percussion across the album consists of synthesized bass layered with household objects. “Two Worlds Colliding…” and “Cognitive Dissonance” which are in the realm of drum and bass are kept sparse allowing a focus on the found percussion and bassline melodies. The collaborations as D n G feature guitar and swirl in electronic haze. Relapse worked with Greef on “Oh God Parts I and II” which is between noise and ambient.

The album ends with “Generic Excuse” leaving the listener with a poignant melody of distorted bell sounds.


released July 31, 2020

Digital masters by Macc.
Vinyl Mastering by Beau at Ten Eight Seven.
Artwork by Scratch and Line.
Track 2 originally released on Omni Music: omnimusic.bandcamp.com/album/unchartered-territory-lp.
Additional releases by Relapse: pineconemoonshine.neocities.org/artists/relapse.html.


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Pinecone Moonshine Portland, Oregon

Run by Nic TVG, Pinecone Moonshine is a collection of Drumfunk (drum and bass) and other abstract and ambient music.

See the neocities link below for the demo policy.

Majority of the tracks are melancholy collages of noise, heavily processed samples, and atmospherics driven by broken break beats and heavy sub. Free jazz, early electronics, blues, and funk are noticeable influences.
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